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What about Simone Weil?

In recent weeks, a theory that Simone Weil is the key to Dema-lore is getting a lot of traction.



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In two words, this theory is based on the assumption that Vialism=Weilism and on textual similarities between the writings of Simone Weil and the lyrics of 21 pilots and the Clancy letters.

The Keons YouTube channel explains this in great detail.

Until now, I thought that Andre Weil was crucial to the story, and that Simone’s role was merely to have a boy/girl archetypical situation.

There’s this iconic photograph of them from 1922, taken weeks before Andre entered the ENS:



The same setting, boy on the left, girl to the right was used in the Nico and the niners-video, when they are young and in Dema



and when they are a quite a bit older, and in Trench, at the end of the Outside-video.



These scenes may support my theory that Dema was the ENS (both Andre and Simone studied there) as is explained in the post Where’s Bourbaki’s Dema?, and when they were both a bit older, and at the Bourbaki meetings in Chancay and Dieulefit, that they were banditos operating in Trench, as explained in the post Bourbaki = Bishops or Banditos.

There are two excellent books to read if you want to know more about the complex relationship between Andre and Simone Weil.

The first one is The Weil Conjectures: On Math and the Pursuit of the Unknown by Karen Olsson.



From it we get the impression that, at times, Simone felt intellectually inferior to Andre, who was three years older. She often asked him to explain what he was working on. Famous is his letter to her written in 1940 when he was jailed. Here’s a nice Quanta-article on it, A Rosetta stone for mathematics. This was also the reason why she wanted to attend some Bourbaki-meetings in order to get a better understanding of what mathematics was all about and how mathematicians think.

She was then very critical about mathematics because all that thinking about illusory objects had no immediate effect in real life. Well Simone, that’s the difference between mathematics and philosophy.

The second one is Chez les Weil, Andre et Simone written by Andre’s eldest daughter Sylvie.



From it we get another impression, namely that Andre may have been burdened by the fact that, after Simone’s death, his parents life centered exclusively around the preservation of her legacy, ignorant of the fact that their remaining child was one of the best mathematicians of his generation.

Poor Andre, on their family apartment in the Rue Auguste-Comte (which Andre used until late in his life when he was in Paris) is now this commemorative plaque



Well Andre, that’s the difference between a mathematician and a philosopher.

Let’s return to the role Simone Weil may play in Dema-lore. For starters, how did she appear in it?

She makes her appearance through a picture on Tyler’s desktop at the start of the Trench-era. This picture is a combination of two photographs from Bourbaki meetings, and Simone Weil features in both of them.



The photograph on the left is from the september 1937 meeting in Chancay, that on the right is from the september 1938 meeting in Dieulefit.

These are exactly the years crucial in Simone’s conversion to catholicism.

In the spring of 1937 she experienced a religious ecstasy in the Basilica of Santa Maria degli Angeli in Assisi.

Over Easter is 1938, Simone and her mother attended Holy Week services at the Solesmes Abbey where she had a mystic experience in which “Christ himself came down and took possession of me”.

One might ask whether there’s any connection between these religious experiences and her desire to attend these upcoming Bourbaki meetings. So, what was discussed during these conferences?

Mathematically, the 1938 meeting was not very exciting. Hardly any work was done, as they were preoccupied with all news of the Nazis invading Czechoslovakia. During the conference, Simone and Alain even escaped to Switzerland because they were convinced war was imminent. After a couple of days the Munich Treaty was signed, and Alain returned to Dieulefit, whereas Simone stayed in Switzerland, before returning to Paris.

On the other hand, the Chancay meeting was revolutionary as the foundations of topology were rewritten there with the introduction of the filter concept, dreamed up on the spot by Henri Cartan (the guy in the deckchair), while the others were taking a walk.



Simone was pretty impressed by the power of TOPology. In 1942 she wrote in her ‘Cahiers’:

One field of mathematics that deals with all the diverse sorts of orders (set theory and general topology) is a treasure-house that holds an infinity of valuable expressions that show supernatural truth.

Interestingly, she mentions the two math-subjects closest to the pilots’ universe: set theory studies all objects you can make starting from the empty set $\emptyset$, and topology studies the properties of objects and figures that remain unchanged even when you
morph them.

We’ll have to say more about this in a next post when we look into the Vialism=Weilism assumption.

Another appearance of Simone Weil in the lore might be through the cropped image you can find on the dmaorg-website.



The consensus opinion is that this is a picture of the young Clancy, next to one of the Bishops (Keons? Andre? Nico?).

In fact, the ‘little boy’ is actually a girl and her identity is unresolved as far as I know. But, given the date of the photograph (1956) the girl might be (mistakingly) taken for Andre’s daughter Sylvie.

Now, almost everyone, in particular her grandparents and Andre himself, found that Sylvie was a spitting image (almost a ‘copy’) of Simone Weil.



There are further indications that Simone Weil might be a Clancy.

Morph

In Morph there are these lines

He’ll always try to stop me, that Nicolas Bourbaki
He’s got no friends close, but those who know him most know
He goes by Nico
He told me I’m a copy
When I’d hear him mock me, that’s almost stopped me

During the meetings she attended, the other Bourbakis mocked Simone that she was a copy of het brother. From Karen Olsson’s book mentioned above:

To the others it’s startling to see his same glasses, his same face attached to this body clothed in an. unstylish dress and an off-kilter brown beret, carrying on in that odd monotone as she argues, via the chateau’s telephone, with the editors who publish her political articles.



Early in her career, Simone Weil was far from an original thinker. For her end-essay on Descartes she got the lowest score possible in order to pass from the ENS. Even Andre urged her to have a work-plan to develop her own ideas, rather than copying ideas from philosophers from the past.

Jumpsuit

Whereas Andre tried everything to avoid the draft, Simone was more of a warrior. In 1935 she volunteered to fight on the Republican side in the Spanish civil war, until a kitchen accident forced her to return to France.



Later in 1943 she left New-York to return to England and enlist in the French troupes of General de Gaulle, hoping to be parachuted behind enemy lines. Given her physical state, the military command decided against it. Upset by this refusal, she felt she had no other option than to deny herself food in empathy with the starving French.



She didn’t succeed in crossing Paladin Strait, sorry the Channel.

Overcompensate

Can this be Simone Weil?



.

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9 Bourbaki founding members, really?

The Clique (Twenty Øne Piløts fanatic fanbase) is convinced that the nine Bishops of Dema were modelled after the Bourbaki-group.

It is therefore of no surprise to see a Photoshopped version circulating of this classic picture of some youthful Bourbaki-members (note Jean-Pierre Serre poster-boying for Elon Musk’s site),

replacing some of them with much older photos of other members. Crucial seems to be that there are just nine of them.

I don’t know whether the Clique hijacked Bourbaki’s Wikipedia page, or whether they were inspired by its content to select those people, but if you look at that Wikipedia page you’ll see in the right hand column:

Founders

  • Henri Cartan
  • Claude Chevalley
  • Jean Coulomb
  • Jean Delsarte
  • Jean Dieudonné
  • Charles Ehresmann
  • René de Possel
  • André Weil

Really? Come on.

We know for a fact that Charles Ehresmann was brought in to replace Jean Leray, and Jean Coulomb to replace Paul Dubreil. Surely, replacements can’t be founders, can they?

Well, unfortunately it is not quite that simple. There’s this silly semantic discussion: from what moment on can you call someone a Bourbaki-member…

The collective name ‘Nicolas Bourbaki’ was adopted only at the Bourbaki-congress in Besse in July 1935 (see also this post).

But, before the Besse-meeting there were ten ‘proto-Bourbaki’ meetings, the first one on December 10th, 1934 in Cafe Capoulade. These meetings have been described masterly by Liliane Beaulieu in A Parisian Cafe and Ten Proto-Bourbaki Meetings (1934-35) (btw. if you know a direct link to the pdf, please drop it in the comments).

During these early meetings, the group called itself ‘The Committee for the Treatise on Analysis’, and not yet Bourbaki, whence the confusion.

Do we take the Capoulade-1934 meeting as the origin of the Bourbaki group (in which case the founding-members would be Cartan, Chevalley, De Possel, Delsarte, Dieudonne, and Weil), or was the Bourbaki-group founded at the Besse-congress in 1935 (when Cartan, Chevalley, Coulomb, De Possel, Dieudonne, Mandelbrojt, and Weil were present)?

Here’s a summary of which people were present at all meetings from December 1934 until the second Chancay-congress in September 1939, taken from Gatien Ricotier ‘Projets collectifs et personnels autour de Bourbaki dans les années 1930 à 1950′:

07-1935 is the Besse-congress, 09-1936 is the ‘Escorial’-congress (or Chancay 1) and 09-1937 is the second Chancay-congress. The ten dates prior to July 1935 are the proto-Bourbaki meetings.

Even though Delsarte was not present at the Besse-1935 congress, and De Possel moved to Algiers and left Bourbaki in 1941, I assume most people would agree that the six people present at the first Capoulade-meeting (Cartan, Chevalley, De Possel, Delsarte, Dieudonne, and Weil) should certainly be counted among the Bourbaki founding members.

What about the others?

We can safely eliminate Dubreil: he was present at just one proto-Bourbaki meeting and left the group in April 1935.

Also Leray’s case is straightforward: he was even excluded from the Besse-meeting as he didn’t contribute much to the group, and later he vehemently opposed Bourbaki, as we’ve seen.

Coulomb’s role seems to restrict to securing a venue for the Besse-meeting as he was ‘physicien-adjoint’ at the ‘Observatoire Physique du Globe du Puy-de-Dome’.



Because of this he could rarely attend the Julia-seminar or Bourbaki-meetings, and his interest in mathematical physics was a bit far from the themes pursued in the seminar or by Bourbaki. It seems he only contributed one small text, in the form of a letter. Due to his limited attendance, even after officially been asked to replace Dubreil, he can hardly be counted as a founding member.

This leaves Szolem Mandelbrojt and Charles Ehresmann.

We’ve already described Mandelbrojt as the odd-man-out among the early Bourbakis. According to the Bourbaki archive he only contributed one text. On the other hand, he also played a role in organising the Besse-meeting and in providing financial support for Bourbaki. Because he was present already early on (from the second proto-Bourbaki meeting) until the Chancay-1937 meeting, some people will count him among the founding members.

Personally I wouldn’t call Charles Ehresmann a Bourbaki founding member because he joined too late in the process (March 1936). Still, purists (those who argue that Bourbaki was founded at Besse) will say that at that meeting he was put forward to replace Jean Leray, and later contributed actively to Bourbaki’s meetings and work, and for that reason should be included among the founding members.

What do you think?

How many Bourbaki founding members are there? Six (the Capoulade-gang), seven (+Mandelbrojt), eight (+Mandelbrojt and Ehresmann), or do you still think there were nine of them?

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TØP PhotoShop mysteries

Suppose you’re writing a book, and for the duration of that project you keep a certain photo as your desktop-background. I guess we might assume that picture to be inspirational for your writing process.

If you PhotoShopped it to add specific elements, might we assume these extra bits to play a crucial role in your story?

Now, let’s turn to Twenty One Pilots and the creation process of their album Trench, released on October 5, 2018

We know from this tweet (from August 19th, 2018) that Tyler Joseph’s desktop-background picture was a photoshopped version of the classic Bourbaki-1938 photo on the left below, given it Trench-yellow, and added a bearded man in the doorway (photo on the right)




And we know from this interview (from September 5th, 2018) that, apart from the bearded man, he also replaced in the lower left corner the empty chair by a sitting person (lower photo).

The original photo features on the Wikipedia page on Nicolas Bourbaki, and as Tyler Joseph has revealed that Blurryface‘s real name is Nicolas Bourbaki (for whatever reason), and that he appears in the lyrics of Morph on Trench, this may make some sense.

But, of the seven people in the picture only three were founding members of Bourbaki: Weil, Diedonne and Delsarte. Ehresmann entered later, replacing Jean Leray, and Pison and Chabauty were only guinea pigs at that moment (they later entered Bourbaki, Chabauty briefly and Pison until 1950), and finally, Simonne Weil never was a member.

There’s another strange thing about the original picture. All of them, but Andre and Simone Weil, look straight into the camera, the Weil’s seem to be more focussed on something happening to the right.

Now, TØP has something with the number 9. There are nine circles on the cover of Blurryface (each representing one of a person’s insecurities, it seems), there are nine towers in the City of Dema, nine Bishops, etc.



So, from their perspective it makes sense to Photoshop two extra people in, and looking at the original there are two obvious places to place them: in the empty doorway, and on the empty chair.

But, who are they, and what is their significance?

1. The bearded man in the doorway

As far as I know, nobody knows who he is. From a Bourbaki point of view it can only be one person: Elie Cartan.

We know he was present at the 1938 Bourbaki Dieulefit/Beauvallon meeting, and that he was kind of a father figure to Bourbaki. Among older French mathematicians he was one of few (perhaps the only one) respected by all of Bourbaki.

But, bearded man is definitely not Elie Cartan…

If bearded man exists and has a Wikipedia page, the photo should be on that page. So, if you find him, please leave a comment.

Previous in this series I made a conjecture about him, but I’m not at all sure.

2. Why, of all people, Szolem Mandelbrojt?

We know from this Twentyonepilots subReddit post that the man sitting on the previously empty chair in none other than Bourbaki founding member Szolem Mandelbrojt, shopped in from this other iconic early Bourbaki-photo from the 1937 Chancay-meeting.

Let me tell you why this surprises me.

Szolem Mandelbrojt was atypical among the first Bourbaki-gang in many ways: he was the only one who didn’t graduate from the ENS, he was a bit older than the rest, he was the only one who was a full Professor (at Clermont-Ferrand) whereas the others were ‘maitre de conference’, he was the only one who didn’t contribute actively in the Julia seminar (the proto-Bourbaki seminar) nor much to the Bourbaki-congresses either for that matter, etc. etc.

Most of all, I don’t think he would feel particularly welcome at the 1938 congress. Here’s why.



(Jacques Hadamard (left), and Henri Lebesgue (right))

From Andre Weil’s autobiography (page 120):

Hadamard’s retirement left his position open. I thought myself not unworthy of succeeding him; my friends, especially Cartan and Delsarte, encouraged me to a candidate. It seemed to me that Lebesgue, who was the only mathematician left at the College de France, did not find my candidacy out of place. He even let me know that it was time to begin my ‘campaign visits’.

But the Bourbaki-campaign against a hierarchy of scientific prizes instituted by Jean Perrin (the so called ‘war of the medals’) interfered with his personal campaign. (Perhaps more important was that Mandelbrojt did his Ph.D. under Hadamard…)

Again from Weil’s autobiography (page 121):

Finally Lebesque put an end to my visits by telling me that he had decided on Mandelbrojt. It seemed to me that my friends were more disappointed than I at this outcome.

In the spring of 1938, Mandelbrojt succeeded Hadamard at the College de France.

There’s photographic evidence that Mandelbrojt was present at the 1935 Besse-congress and clearly at the 1937-Chancay meeting, but I don’t know that he was even present at Chancay-1936. (Edit May 2024: He was present in 1936)

The only picture I know of that meeting is the one below. Standing on bench: Chevalley’s nephews, seated Andre Weil and Chevalley’s mother; standing, left to right: Ninette Ehresmann, Rene de Possel, Claude Chavalley, Jacqueline Chavalley, Mirles, Jean Delsarte and Charles Ehresmann.

Of all possible people, Szolem Mandelbrojt would be the miscast at the 1938-meeting. So, why did they shop him in?

– convenience: they had an empty chair in the original picture, another Bourbaki-photo with a guy sitting on such a chair, so why not shop him in?

– mistaken identity: in the subReddit post the sitting guy was mistakenly identified as Claude Chevalley. Now, there is a lot to say about wishing to add Chevalley to the original. He is by far the most likeable of all Bourbakis, so if these nine were ever supposed to be the nine Bishops of Dema, he most certainly would be Keons. But, Chevalley was already in the US at that time, and was advised by the French consul to remain there in view of the situation in Europe. As a result, Chevalley could not obtain a French professorship before the early 50ties.

– a deep hidden clue: remember all that nonsense about Josh Dun’s ‘alma mater’ being that Ukrainian building where Nico and the niners was shot? Well, Szolem Mandelbrojt’s alma mater was the University of Kharkiv in Ukraine. See this post for more details.

3. Is it all about Simone Weil?

If you super-impose the two photographs, pinning Mandelbrojt in both, the left border of the original 1938-picture is an almost perfect mirror for both appearances of Simone Weil. Can she be more important in all of this than we think?

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