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Tag: Connes

nc-geometry and moonshine?

Published January 12, 2018 by lieven

A well-known link between Conway’s Big Picture and non-commutative geometry is given by the Bost-Connes system.

This quantum statistical mechanical system encodes the arithmetic properties of cyclotomic extensions of $\mathbb{Q}$.

The corresponding Bost-Connes algebra encodes the action by the power-maps on the roots of unity.

It has generators $e_n$ and $e_n^*$ for every natural number $n$ and additional generators $e(\frac{g}{h})$ for every element in the additive group $\mathbb{Q}/\mathbb{Z}$ (which is of course isomorphic to the multiplicative group of roots of unity).

The defining equations are
\[
\begin{cases}
e_n.e(\frac{g}{h}).e_n^* = \rho_n(e(\frac{g}{h})) \\
e_n^*.e(\frac{g}{h}) = \Psi^n(e(\frac{g}{h}).e_n^* \\
e(\frac{g}{h}).e_n = e_n.\Psi^n(e(\frac{g}{h})) \\
e_n.e_m=e_{nm} \\
e_n^*.e_m^* = e_{nm}^* \\
e_n.e_m^* = e_m^*.e_n~\quad~\text{if $(m,n)=1$}
\end{cases}
\]

Here $\Psi^n$ are the power-maps, that is $\Psi^n(e(\frac{g}{h})) = e(\frac{ng}{h}~mod~1)$, and the maps $\rho_n$ are given by
\[
\rho_n(e(\frac{g}{h})) = \sum e(\frac{i}{j}) \]
where the sum is taken over all $\frac{i}{j} \in \mathbb{Q}/\mathbb{Z}$ such that $n.\frac{i}{j}=\frac{g}{h}$.

Conway’s Big Picture has as its vertices the (equivalence classes of) lattices $M,\frac{g}{h}$ with $M \in \mathbb{Q}_+$ and $\frac{g}{h} \in \mathbb{Q}/\mathbb{Z}$.

The Bost-Connes algebra acts on the vector-space with basis the vertices of the Big Picture. The action is given by:
\[
\begin{cases}
e_n \ast \frac{c}{d},\frac{g}{h} = \frac{nc}{d},\rho^m(\frac{g}{h})~\quad~\text{with $m=(n,d)$} \\
e_n^* \ast \frac{c}{d},\frac{g}{h} = (n,c) \times \frac{c}{nd},\Psi^{\frac{n}{m}}(\frac{g}{h})~\quad~\text{with $m=(n,c)$} \\
e(\frac{a}{b}) \ast \frac{c}{d},\frac{g}{h} = \frac{c}{d},\Psi^c(\frac{a}{b}) \frac{g}{h}
\end{cases}
\]

This connection makes one wonder whether non-commutative geometry can shed a new light on monstrous moonshine?

This question is taken up by Jorge Plazas in his paper Non-commutative geometry of groups like $\Gamma_0(N)$

Plazas shows that the bigger Connes-Marcolli $GL_2$-system also acts on the Big Picture. An intriguing quote:

“Our interest in the $GL_2$-system comes from the fact that its thermodynamic properties encode the arithmetic theory of modular functions to an extend which makes it possible for us to capture aspects of moonshine theory.”

Looks like the right kind of paper to take along when I disappear next week for some time in the French mountains…

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Two lecture series on absolute geometry

Published January 18, 2015 by lieven

Absolute geometry is the attempt to develop algebraic geometry over the elusive field with one element $\mathbb{F}_1$. The idea being that the set of all prime numbers is just too large for $\mathbf{Spec}(\mathbb{Z})$ to be a terminal object (as it is in the category of schemes).

So, one wants to view $\mathbf{Spec}(\mathbb{Z})$ as a geometric object over something ‘deeper’, the “absolute point” $\mathbf{Spec}(\mathbb{F}_1)$.

Starting with the paper by Bertrand Toen and Michel Vaquie, Under $\mathbf{Spec}(\mathbb{Z})$, topos theory entered this topic.

First there was the proposal by Jim Borger to view $\lambda$-rings as $\mathbb{F}_1$-algebras. More recently, Alain Connes and Katia Consani introduced the arithmetic site.

Now, there are lectures series on these two approaches, one by Yuri I. Manin, the other by Alain Connes.

.

Yuri I. Manin in Ghent

On Tuesday, February 3rd, Yuri I. Manin will give the inaugural lectures of the new $\mathbb{F}_1$-seminars at Ghent University, organised by Koen Thas.

Coffee will be served from 13.00 till 14.00 at the Department of Mathematics, Ghent University, Krijgslaan 281, Building S22 and from 14.00 till 16.30 there will be lectures in the Emmy Noether lecture room, Building S25:

14:00 – 14:25: Introduction (by K. Thas)
14:30 – 15:20: Lecture 1 (by Yu. I. Manin)
15:30 – 16:20: Lecture 2 (by Yu. I. Manin)

Recent work of Manin related to $\mathbb{F}_1$ includes:

– Local zeta factors and geometries under $\mathbf{Spec}(\mathbb{Z})$

– Numbers as functions

Alain Connes on the Arithmetic Site

Until the beginning of march, Alain Connes will lecture every thursday afternoon from 14.00 till 17.30, in Salle 5 – Marcelin Berthelot at he College de France on The Arithmetic Site (hat tip Isar Stubbe).

Here’s a two minute excerpt, from a longer interview with Connes, on the arithmetic site, together with an attempt to provide subtitles:

——————————————————

(50.36)

And,in this example, we saw the wonderful notion of a topos, developed by Grothendieck.

It was sufficient for me to open SGA4, a book written at the beginning of the 60ties or the late fifties.

It was sufficient for me to open SGA4 to see that all the things that I needed were there, say, how to construct a cohomology on this site, how to develop things, how to see that the category of sheaves of Abelian groups is an Abelian category, having sufficient injective objects, and so on … all those things were there.

This is really remarkable, because what does it mean?

It means that the average mathematician says: “topos = a generalised topological space and I will never need to use such things. Well, there is the etale cohomology and I can use it to make sense of simply connected spaces and, bon, there’s the chrystaline cohomology, which is already a bit more complicated, but I will never need it, so I can safely ignore it.”

And (s)he puts the notion of a topos in a certain category of things which are generalisations of things, developed only to be generalisations…

But in fact, reality is completely different!

In our work with Katia Consani we saw not only that there is this epicyclic topos, but in fact, this epicyclic topos lies over a site, which we call the arithmetic site, which itself is of a delirious simplicity.

It relies only on the natural numbers, viewed multiplicatively.

That is, one takes a small category consisting of just one object, having this monoid as its endomorphisms, and one considers the corresponding topos.

This appears well … infantile, but nevertheless, this object conceils many wonderful things.

And we would have never discovered those things, if we hadn’t had the general notion of what a topos is, of what a point of a topos is, in terms of flat functors, etc. etc.

(52.27)

——————————————————-

I will try to report here on Manin’s lectures in Ghent. If someone is able to attend Connes’ lectures in Paris, I’d love to receive updates!

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Art and the absolute point (3)

Published May 19, 2011 by lieven

Previously, we have recalled comparisons between approaches to define a geometry over the absolute point and art-historical movements, first those due to Yuri I. Manin, subsequently some extra ones due to Javier Lopez Pena and Oliver Lorscheid.

In these comparisons, the art trend appears to have been chosen more to illustrate a key feature of the approach or an appreciation of its importance, rather than giving a visual illustration of the varieties over $\mathbb{F}_1$ the approach proposes.

Some time ago, we’ve had a couple of posts trying to depict noncommutative varieties, first the illustrations used by Shahn Majid and Matilde Marcolli, and next my own mental picture of it.

In this post, we’ll try to do something similar for affine varieties over the absolute point. To simplify things drastically, I’ll divide the islands in the Lopez Pena-Lorscheid map of $\mathbb{F}_1$ land in two subsets : the former approaches (all but the $\Lambda$-schemes) and the current approach (the $\Lambda$-scheme approach due to James Borger).

The former approaches : Francis Bacon “The Pope” (1953)

The general consensus here was that in going from $\mathbb{Z}$ to $\mathbb{F}_1$ one looses the additive structure and retains only the multiplicative one. Hence, ‘commutative algebras’ over $\mathbb{F}_1$ are (commutative) monoids, and mimicking Grothendieck’s functor of points approach to algebraic geometry, a scheme over $\mathbb{F}_1$ would then correspond to a functor

$h_Z~:~\mathbf{monoids} \longrightarrow \mathbf{sets}$

Such functors are described largely by combinatorial data (see for example the recent blueprint-paper by Oliver Lorscheid), and, if the story would stop here, any Rothko painting could be used as illustration.

Most of the former approaches add something though (buzzwords include ‘Arakelov’, ‘completion at $\infty$’, ‘real place’ etc.) in order to connect the virtual geometric object over $\mathbb{F}_1$ with existing real, complex or integral schemes. For example, one can make the virtual object visible via an evaluation map $h_Z \rightarrow h_X$ which is a natural transformation, where $X$ is a complex variety with its usual functor of points $h_X$ and to connect both we associate to a monoid $M$ its complex monoid-algebra $\mathbb{C} M$. An integral scheme $Y$ can then be said to be ‘defined over $\mathbb{F}_1$’, if $h_Z$ becomes a subfunctor of its usual functor of points $h_Y$ (again, assigning to a monoid its integral monoid algebra $\mathbb{Z} M$) and $Y$ is the ‘best’ integral scheme approximation of the complex evaluation map.

To illustrate this, consider the painting Study after Velázquez’s Portrait of Pope Innocent X by Francis Bacon (right-hand painting above) which is a distorded version of the left-hand painting Portrait of Innocent X by Diego Velázquez.

Here, Velázquez’ painting plays the role of the complex variety which makes the combinatorial gadget $h_Z$ visible, and, Bacon’s painting depicts the integral scheme, build up from this combinatorial data, which approximates the evaluation map best.

All of the former approaches more or less give the same very small list of integral schemes defined over $\mathbb{F}_1$, none of them motivically interesting.

The current approach : Jackson Pollock “No. 8” (1949)

An entirely different approach was proposed by James Borger in $\Lambda$-rings and the field with one element. He proposes another definition for commutative $\mathbb{F}_1$-algebras, namely $\lambda$-rings (in the sense of Grothendieck’s Riemann-Roch) and he argues that the $\lambda$-ring structure (which amounts in the sensible cases to a family of endomorphisms of the integral ring lifting the Frobenius morphisms) can be viewed as descent data from $\mathbb{Z}$ to $\mathbb{F}_1$.

The list of integral schemes of finite type with a $\lambda$-structure coincides roughly with the list of integral schemes defined over $\mathbb{F}_1$ in the other approaches, but Borger’s theory really shines in that it proposes long sought for mystery-objects such as $\mathbf{spec}(\mathbb{Z}) \times_{\mathbf{spec}(\mathbb{F}_1)} \mathbf{spec}(\mathbb{Z})$. If one accepts Borger’s premise, then this object should be the geometric object corresponding to the Witt-ring $W(\mathbb{Z})$. Recall that the role of Witt-rings in $\mathbb{F}_1$-geometry was anticipated by Manin in Cyclotomy and analytic geometry over $\mathbb{F}_1$.

But, Witt-rings and their associated Witt-spaces are huge objects, so one needs to extend arithmetic geometry drastically to include such ‘integral schemes of infinite type’. Borger has made a couple of steps in this direction in The basic geometry of Witt vectors, II: Spaces.

To depict these new infinite dimensional geometric objects I’ve chosen for Jackson Pollock‘s painting No. 8. It is no coincidence that Pollock-paintings also appeared in the depiction of noncommutative spaces. In fact, Matilde Marcolli has made the connection between $\lambda$-rings and noncommutative geometry in Cyclotomy and endomotives by showing that the Bost-Connes endomotives are universal for $\lambda$-rings.

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