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PD1 goes YouTube

Published September 14, 2010 by lieven

If you like this, please spread it (or let her know).

UPDATE : the clip won the International Holland Animation Film Festival 2010 HAFFTube competition.

Winner international competition web animation HAFFTube 2010!
Silver Junkie: Maria by Gitte Le Bruyn

14th Holland Animation Film Festival, 3 – 7 November 2010 in Utrecht, www.haff.nl
The winner of the international competition web animation HAFFTube 2010 is Silver Junkie: Maria, by the Belgian visual artist Gitte Le Bruyn (1985).

She created a series of oil paintings on glass, which she lit and photographed, inspired by the music of the Belgian band Silver Junkie (Tino Biddeloo). Full of contrast in black-and-white, intense, with generous brushstrokes, unruly and hopeful. Gitte Le Bruyn graduated as a visual artist in 2008 from the Royal Academy of Fine Arts in Antwerp.

The web competition HAFFTube has been open for entries for a few months. The channel filled up with an international state of the art selection of contemporary animated films from all over the world with a maximum length of 5 minutes. At the set limit of 50 films, the voting began. An international jury of filmmakers selected Silver Junkie: Maria out of the shortlist of 50 titles. Gitte Le Bruyn will be hosted at the Holland Animation Film Festival next year, with a festival pass and arranged stay in a hotel.

Check Silver Junkie: Maria here: http://www.haff.nl/en/films/silver-junkie-maria

UPDATE 2 : The video made it into the december 2010 volume of Stash Magazine, the online video library of animation, VFX and motion design.

UPDATE 3 : The clip made it to Belgian National TV : Cobra TV.

UPDATE 4 : The clip made it to the 18th Stuttgart Festival of Animated Film (Germany)
May 3-8, 2011

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math & manic-depression, a Faustian bargain

Published July 15, 2010 by lieven

In the wake of a colleague’s suicide and the suicide of three students, Matilde Marcolli gave an interesting and courageous talk at Caltech in April : The dark heart of our brightness: bipolar disorder and scientific creativity. Although these slides give a pretty good picture of the talk, if you can please take the time to watch it (the talk starts 44 minutes into the video).

Courageous because as the talk progresses, she gives more and more examples from her own experiences, thereby breaking the taboo surrounding the topic of bipolar mood disorder among scientists. Interesting because she raises a couple of valid points, well worth repeating.

We didn’t can see it coming

We are always baffled when someone we know commits suicide, especially if that person is extremely successful in his/her work. ‘(S)he was so full of activity!’, ‘We did not see it coming!’ etc. etc.

Matilde argues that if a person suffers from bipolar mood disorder (from mild forms to full-blown manic-depression), a condition quite common among scientists and certainly mathematicians, we can see it coming, if we look for the proper signals!

We, active scientists, are pretty good at hiding a down-period. We have collected an arsenal of tricks not to send off signals when we feel depressed, simply because it’s not considered cool behavior. On the other hand, in our manic phases, we are quite transparent because we like to show off our activity and creativity!

Matilde tells us to watch out for people behaving orders-of-magnitude out of their normal-mode behavior. Say, someone who normally posts one or two papers a year on the arXiv, suddenly posting 5 papers in one month. Or, someone going rarely to a conference, now spending a summer flying from one conference to the next. Or, someone not blogging for months, suddenly flooding you with new posts…

As scientists we are good at spotting such order-of-magnitude-out-behavior. So we can detect friends and colleagues going through a manic-phase and hence should always take such a person serious (and try to offer help) when they send out signals of distress.

Mood disorder, a Faustian bargain

The Faust legend :
“Despite his scholarly eminence, Faust is bored and disappointed. He decides to call on the Devil for further knowledge and magic powers with which to indulge all the pleasures of the world. In response, the Devil’s representative Mephistopheles appears. He makes a bargain with Faust: Mephistopheles will serve Faust with his magic powers for a term of years, but at the end of the term, the Devil will claim Faust’s soul and Faust will be eternally damned.”

Mathematicians suffering from mood disorder seldom see their condition as a menace, but rather as an advantage. They know they do their best and most creative work in short spells of intense activity during their manic phase and take the down-phase merely as a side effect. We fear that if we seek treatment, we may as well loose our creativity.

That is, like Faust, we indulge the pleasures of our magic powers during a manic-phase, knowing only too well that the devilish depression-phase may one day claim our life or mental sanity…

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Bourbaki and the miracle of silence

Published July 13, 2010 by lieven

The last pre-war Bourbaki congress, held in september 1938 in Dieulefit, is surrounded by mystery. Compared to previous meetings, fewer documents are preserved in the Bourbaki archives and some sentences in the surviving notules have been made illegible. We will have to determine the exact location of the Dieulefit-meeting before we can understand why this had to be done. It’s Bourbaki’s own tiny contribution to ‘le miracle de silence’…

First, the few facts we know about this Bourbaki congress, mostly from Andre Weil‘s autobiography ‘The Apprenticeship of a Mathematician’.

The meeting was held in Dieulefit in the Drome-Provencale region, sometime in september 1938 prior to the Munich Agreement (more on this next time). We know that Elie Cartan did accept Bourbaki’s invitation to join them and there is this one famous photograph of the meeting. From left to right : Simone Weil (accompanying Andre), Charles Pison, Andre Weil (hidden), Jean Dieudonne (sitting), Claude Chabauty, Charles Ehresmann, and Jean Delsarte.

Failing further written documentation, ‘all’ we have to do in order to pinpoint the exact location of the meeting is to find a match between this photograph and some building in Dieulefit…

The crucial clue is provided by the couple of sentences, on the final page of the Bourbaki-archive document deldi_001 Engagements de Dieulefit, someone (Jean Delsarte?) has tried to make illegible (probably early on).



Blowing the picture up, it isn’t too hard to guess that the header should read ‘Décision du 22 septembre 1938’ and that the first sentence is ‘Le Bourbaki de 2e classe WEIL fera pour le 15 octobre’. The document is signed

Camp de Beauvallon, le 22.IX.38.
L’adjudant de jour
DIEUDONNE

Now we are getting somewhere. Beauvallon is the name of an hamlet of Dieulefit, situated approximately 2.5km to the east of the center.

Beauvallon is rather famous for its School, founded in 1929 by Marguerite Soubeyran and Catherine Krafft, which was the first ‘modern’ boarding school in France for both boys and girls having behavioral problems. From 1936 on the school’s director was Simone Monnier.

These three women were politically active and frequented several circles. Already in 1938 (at about the time of the Bourbaki congress) they knew the reality of the Nazi persecutions and planned to prepare their school to welcome, care for and protect refugees and Jewish children.

From 1936 on about 20 Spanish republican refugees found a home here and in the ‘pension’ next to the school. When the war started, about 1500 people were hidden from the German occupation in Dieulefit (having a total population of 3500) : Jewish children, intellectuals, artists, trade union leaders, etc. etc. many in the Ecole and the Pension.

Because of the towns solidarity with the refugees, none were betrayed to the Germans, Le miracle de silence à Dieulefit.
It earned the three Ecole-women the title of “Juste” after the war. More on this period can be read here.

But what does this have to do with Bourbaki? Well, we claim that the venue of the 1938 Bourbaki congress was the Ecole de Beauvallon and they probably used Le Pension for their lodgings.

We have photographic evidence comparing the Bourbaki picture with a picture taken in 1943 at the Ecole (the woman in the middle is Marguerite Soubeyran). Compare the distance between door and window, the division of the windows and the ivy on the wall.

Below two photographs of the entire school building : on the left, the school with ‘Le Pension’ next to it around 1938 (the ivy clad wall with the Bourbaki-door is to the right) and on the right, the present Ecole de Beauvallon (this site also contains a lot of historical material). The ivy has gone, but the main features of the building are still intact, only the shape of the small roof above the Bourbaki-door has changed.

During their stay, it is likely the Bourbakis became aware of the plans the school had would war break out. Probably, Jean Delsarte removed all explicit mention to the Ecole de Beauvallon from the archives upon their return. Bourbaki’s own small contribution to Dieulefit’s miracle of silence.

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