A Conway musical sequence is an infinite word in and , containing no two consecutive ’s nor three consecutive ’s, such that all its inflations remain musical sequences.
We’ve seen that such musical sequences encode an aperiodic tiling of the line in short () and long () intervals, and that such tilings are all finite locally isomorphic.
But, apart from the middle -sequences (the one-dimensional cartwheel tilings) we gave no examples of such tilings (or musical sequences). Let’s remedy this!
Take any real number as long as it is not an integral combination of and (with the golden ratio) and assign to any integer a tile
(instead of ceilings we might have taken floors, because of the restriction on ).
With a little bit of work we see that the deflated word determined by is again of this type, more precisely . But then it also follows that inflated words are of this type, meaning that all define a musical sequence.
Let’s just check that these sequences satisfy the gluing restrictions. If there is no integer between and , because there must be an interval in the preceding and the following -interval, showing that an in the sequence has an on its left and right, so there are no two consecutive ’s in the sequences.

Similarly, if two consecutive -intervals have an integer in them, the next interval cannot contain an integer as .

Now we come to the essential point: these sequences can be obtained by the cut-and-project method.
Take the line through the origin with slope and the line perpendicular it.
Consider the unit square and its translation under a shift vector and let (or ) be the orthogonal projection of the plane onto (or onto ). One quickly computes that
In the picture, we take .

The window will be the strip, parallel with with basis .
We cut the standard lattice , of all points with integer coordinates in the plane, by retricting to the window .
Next, we project onto the line , and we get a set of endpoints of intervals which divide the line into short intervals of length and long intervals of length .
For , the interval will be short if and long if .

Because these intervals differ by a factor in length, we get a tiling of the line by short intervals and long intervals . It is easy to see that they satisfy the gluing restrictions (remember, no two consecutive short intervals and no three consecutive long intervals): the horizontal width of the window is (so there cannot be three consecutive long intervals in the projection) and the vertical width of the window is so there cannot be two consecutive short intervals in the projection.
Ready for the punchline?
The sequence obtained from projecting is equal to the sequence . So, we get all musical sequences of this form from the cut-and-project method!
On the two end-points of the window are
Therefore, a point lies in the window if and only if
or equivalently, if
Observe that
We separate the two cases:
(1) : If , then there must be an integer such that , and this forces . With and we have the situation

and from the inequalities above this implies that both and are in , giving a short interval in the projection.
(2) : If , then there must be an integer such that , giving the situation

giving from the inequalities that both and are in , giving a long interval in the projection, finishing the proof.